Alright, Brown Sugar, this is where we really start to put everything together, where we have open G tuning, a classic Keith Richards star riff. Using those classic. Open G chord shapes, but we're matching it with this guitar weaving style, particularly uh between Keith and Ronnie Wood when they play this live, but it's really, really evident on the original recording as well. Perhaps mostly with the little chorus riff, uh, which the Keith part. Is like that, and the Ronnie part. The way those two parts work together, 12341. And Ronnie's part. And the way that the guys both vary what they're doing in the verses. Really just between Y's essentially a C chord and an F chord. C, B flat to C, G. Like these are actually cowboy chords when you think about it, but O G. It's gives us so many more opportunities, but we can't look at any of that unless we know how to play the opening riff. The opening riff's where all the main core things are, so if you learn nothing else from this, please learn. One of the best guitar, opening guitar riffs of all time, and this starts off with a bar, open G tuning. This is, so therefore a G chord. And we use this signature, you know, the start me up chord. Uh, but we switch it round, we start with the middle and third finger down. Slide all that down to fret 5, which is a C chord. 2 strums. Two strums of the Keith Richards chord, and then back to C. Two different ways to play this, which depending on where you're at with muscles in your hand and your wrist and stuff like that, and even the guitar that you have, uh, will affect it. I can play all of these chords with my thumb resting over the top, muting string 6, so I don't have to chop it off, even though we could, that'd be fun, but we don't have to. We can just mute it. And have that first finger kind of kinked over. Still getting essentially the middle four strings. Most of the time anyway. Or you may prefer to do it as a more strict bar. But eventually, even my fingers tyre of that and that thumb naturally comes over the top because this is just a more firm, solid position. Especially when we're down low, that's a tricky bar, and I'd end up using my little finger to do this next chord that we're gonna look at now. So as a recap, intro. Then we have an 8th fret bar. Which varies from just this, which is the 3rd finger down. This is a chord that's gonna recur a few times. It's a bit like that can't always get what you want Claude that we looked at earlier in this Rolling Stones series. We can put the middle finger down with that as well, but this is on string 3 and this is on string 2. Just doesn't get more stones than that, right? And Back to the main riff, and then fret 1, fret 3, and fret 5, but all with. So here It goes to the 3rd fret. Then And it's only this last one that does the traditional start me up chord. It's literally. It literally finishes in the start me up position, but this. you can vary it like I did there, but And this early beat 1 is so important, 1234, and a 1. I And, everything um ahead of the beat on the and before the main pulse. This is like giving it the whole rock and roll thing, this literally gives it this urgency where it's always leaping forward. Um, doesn't matter whether it's the chorus or the main riff, this is on the beats. And then Early, 234, and 1 and 2 and 3 and 4, and 1 and 2 and 3 and 4. All right, let's have a look at the verse. This is just going between that C chord and an F chord at 5 and then 10. But you need to hold back. Now the strict tab that I'm following states. You know, they're getting robbed. Getting stoned, getting beat up, bark and bones, long way to the top if you want to rock and roll, so it's essentially that live rhythm, so as a counting 34. Then to open strings, so lots going on there rhy rhythmically. Think of that counting. 234. 41 That one's so telling, that's bar 21 on the er tab that I'm following here. This is the one from Guitar Pro. I have Guitar Pro 8 and this is the My Songbook tab. The one with the backing track and vocals and everything, it's fantastic. That little. That's a real dance uh that's a real like dancehall rhythm over a, over a straight groove. Very cool, let's do it one last time. 234. Then we have Now this is the key part for that part. This is another rhythm that's good to do in all the verses. That is like A 4. Right, so the G This is like Another open Gre. Alright, that's everything that Keith's doing. Let's have a look at the Ronnie part, which is also in open G tuning, but to show you it's by a second guitar player. I'm gonna grab my blue uh Vasola Basti. Let's have a look at it. OK, second guitar part now, I'm still in open G tuning, and I could do all the same. Things here, and if I put that in, 234 loop. Loop There's the er there it is in my loop pedal, we need to play. That is that second guitar part that makes it like the original, and already we're weaving, we're playing not really a lead part, the chords. I are kind of playing the, the lead solo, we're playing a complimentary second guitar part, and neither one of them is really the full solo or not a standard like. Riff down here, lead up here thing, it's fantastic, it's the best entryway into guitar weaving as a style. In my opinion, just this little 5035 to what is a C chord, one finger at fret 5. Main riff very similar, but this part tends to go for this chord rather than this one. It's in the verses where the real difference is found, again, not one playing the rhythm or the lead, both weaving all the time, and weave in the verses. It edges on going a little bit towards the Chuck Berry. Here and there's definitely for the FO. And that plays the melody. house wondering where it's going to stop. you wondering whether it's gonna stop. OK, that's. And again, main part here, and that difference is really felt in the chorus. Open G. 005. With a slide. Then a very Chuck Berry minor pentatonic er double stops. If those words don't mean anything to you, check out my double stop lessons in my lead guitar course, that'll teach you everything you need to know to be able to do. And that's pretty much everything we can cover in this one, no real solos and stuff, and this one's all about varying the riff, cos of course saxophone takes the solo in this one, but it's such a fantastic song. Open G tuning, more of this to come later in this 10 day programme. Have a go at learning this one guys, all the best with it. Full jam along play along is in a separate video down below.