This is Jumping Jack Flash, of course, and we're in open G tuning, but with a capo at the 4th fret. This is how Keith has typically played this live for decades now. Um, it's perhaps not how this was played on the original recording. Consensus is, it's an open E-tuning on the original recording. Um, with no capo and perhaps even just an acoustic guitar with it kind of overdriven through an old tape machine. We'll be looking at that later in this Rolling Stones series. Play guitar with Rolling Stones in 10 days, but I want you to get the capu on 4th fret, open G tuning, and we're gonna learn this fantastic riff. It's pretty simple. There's a reason why Keith uses a. Capo and open G for this song. It really comes to life, gives all the flavour of the original and allows us to do licks and things like that. The biggest tip I'll give you first of all is put yourself in open G as we've done many times in this series already, but once you've placed the cappa 1 at the 4th fret, have a check of the tuning. It will probably be high, it will probably be, uh, slightly out of tune. As is a common thing, there's nothing wrong with guitars that go out of tune, when you put a cap on, very normal, but they're perhaps just a little bit high. Always the thing to try and get it in tune and then play it in in a certain uh capo, even leaving capos on guitars can be quite a, quite a common thing actually. And our first chord is of course. This open G chord, which because of the capo or capo, this sounds like a B chord, so we're really in the key of B. We're gonna look at another song that also uses the same capo, same tuning, same everything in the next one. That's a really, really fun one as well. It's a 2 for 1 really. But this we basically play the G power chord. Hit fret 5 proportionate to the capo, so that's 4th fret, 12345. Third finger and the middle two strings at the 3rd fret. And we kind of go 12. 12. 123. Now what I'm picking there strings wise is string 5, middle two strings, so 3 and 4 together and 3 and 4 together. You can keep the uh string 5 ringing out kind of as a pedal note. Don't worry about that at all, just thumb on the top, muting string six or perhaps chop it off like I've done in some of my other videos and like Keith does occasionally. Just all on a down pick's fine. Personal preference, whether you prefer. Or Always hitting string 5 there as a pedal note. That's how the song starts when the Stones play it live. It's literally Keith starting the song. That's where the song starts, that's different to how it's er played on the original, which is kind of the opening tuning thing. So I'll leave a link to a great live recording of this so you can see all that happening and jam along, but that's basically the whole, most of the song. The only other thing is the chorus, where we have these one finger chords. At the 3rd fret, what actually looks like 7th fret, if that's the open and then 35 here. So we think about that as 3rd fret, but now I'll probably think about this without thinking about the capo. Double dot here, so that's 12, we're gonna go to 14. And then to this dot which would be actual 9th threat. Actual 9 threats. And then finishing with just plain string one again at that actual 9th fret. So we're here. Actual 14th threats, actual 9th threats. Actual 9 threat, 1 string. At every one of those points, you can do the Start Me Up, the Keith Richards signature. And it starts to sound a bit more like kind of every Stones rip off, kind of like uh Andy Warhol's Bohemian Like You is er. That's where they got this from, they, they basically nicked that riff and just stayed more to the standard riff. How um this is played live by Keith, a couple of signature things we do here are particularly adding this riff. That's the one that's audible on the original recording, so if we start off. That is kind of feels like minor pentatonic Ordorian mode stuff. So actual 12th fret, actual 11, and actual 9th fret with all the open strings, so playing uh open G. And we can also, the chord before that. We can do the same thing but it's little finger. Third finger Remember all of those are starting on the and. 1234, and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4. 41234, and 123. And then Dan up down Let's go into that chorus. But it's 1234. And here That is the same. And that is basically. That same Keith Richard's chord, middle finger at 1514, 16. The only other part of the song is kind of that middle part where we have. And kind of going into the ending. Jumping jack flash, it's a gas jumping jack. It's a yeah, super simple. 532. And that's where we have this lead line. And if I just put in to my looper, 1234. There he is. Alright, so, actual 14, threat, 12. 11, 9, 1199. And that is all the parts that should enable you, if you've followed the rest of this series, to be able to play along to this fantastic recording. And in the next day in this series, we're gonna look at another Open G song with the same capo. It's basically a 2 for 1, jam along to Jumping Jack Flash, have some fun, and I'll see you over there.