Slapped Harmonics Within Chords

We are looking to create slapped harmonics within chords.

Chords

We can create harmonics by actually hitting the strings and where we hit, depends on the chord shape.

• 1st chord - E minor shape

• 2nd chord - Move third finger in the E minor shape to the fourth fret, rather than 2nd fret

• 3rd chord - Open G shape, with second finger only

• 4th chord - From the G shape, simply move the second finger down 1 fret (F# note)

Then, we introduce a tapped harmonic riff to accompany these chords. This distinctive rhythm uses dotted quavers (8th notes). Focus on feeling and hearing the rhythm rather than focussing on the dotted quavers too much.

Tapping method

To start, practice the rhythm and the taps themselves on the 12th fret. As these are natural harmonics and will sound out easier.

Use your middle finger and try to imagine the action of 'bouncing' the strings or bouncing a ball. This will help with the feel of the tapping method.

As we fret the chords, we need to account for the fretted notes and essentially move the 12th fret. For example, if we fret on fret 2, we now tap on the 14th fret instead of the 12th.

• 1st chord -

  Tap open E - 12th fret

  Tap A string - 14th fret

  Tap D string - 14th fret

• 2nd chord -

  Tap open E - 12th fret

  Tap A string - 14th fret

  Tap D string - 16th fret

• 3rd chord -

  Tap E string - 15th fret

  Tap A string - 12th fret

  Tap D string - 12th fret

• 4rd chord -

  Tap E string - 14th fret

  Tap A string - 12th fret

  Tap D string - 12th fret

Remember, we are trying to get a nice percussive sound but with a harmonic element. Just like in lesson 3, experimenting with the sounds created on the guitar and the tapping techniques is encouraged - Strive for perfection in a rhythmic way, over a harmonic way!