Joe Bonamassa – Sloe Gin Style Blues Guitar Solo & Bending Lesson

Now the chords here, they do, they do matter but you just think that a minor pentatonic's mostly what we're sticking to here. And that's what he does when he goes. Hm. That's kind of what he plays there. Relatively standard stuff, it's this one that really makes you go, ooh, you know. This does technically change the scale, but it, it fits perfectly into everything that you'd already know if you've ever played the minor pentatonic. If you've ever done this. Even at that kind of speed. Rather than always playing this note. Start playing this one And bend up to that one. So it's a half step bend. Straight away you're like, oh, that sounds like, it doesn't sound. Pentatonic, you've gotta remember if you stick too much to it or don't add phrasing and vibrato and bends, sounds very oriental. Unless we add in. Very much tied to how John Mayer plays solos, very much tied to Dave Gilmour, and the way he plays solos as well. But moving that back to what we've done so far. That's the one to get, and it's a down pick and then an up pick. And get plenty of overdrive on. And that's all shape. I've stuck there to shape one minor pentatonic. Up to shape, top of shape 2. Which is where that is, OK. Um, it's a really cool song. Let's, uh, let's again put it back in track on and. Kind of jam along to it, right, uh it's John Henry, so. So on and so forth and so forth, right.